In fall 2018 I partnered with SAYGRID LLC and Local Initiatives Support Corporation (LISC) Philadelphia to create a Housing Action Plan for the City of Philadelphia’s Department of Housing and Development. This 20-page document outlines the City’s ambitious goals for making housing equitable and affordable in the coming decades—especially for those residents living in units with housing tax credits that are due to expire soon. We worked closely with the city as well as LISC to craft a document that was accessible and readable as well as detailed and informative.
In 2017, I partnered with Andee Mazzocco of SAYGRID Design to develop a suite of materials for the Jumpstart model of community development. Created by Ken Weinstein of Philly Office Retail, Jumpstart helps local aspiring developers to create equity and keep wealth local while improving blighted properties. The program provides training, mentoring, and networking opportunities, as well as financing options that new developers might not always have. It’s already had a significant impact on the Germantown section of Philadelphia, and is now expanding to Kensington and Mt. Airy. The Barra Foundation provided support to translate Ken’s materials so that neighborhoods in other cities and towns across the U.S. could leverage this same approach. Philadelphia LISC was an essential partner in how to showcase the best of Jumpstart.
In 9 months, our team created a marketing brochure, a 60-page training workbook, a PowerPoint slide deck, a 30-page “How-to” guide for neighborhoods, and a website. I managed the project and developed all the content, in close consultation with Ken and his team. Beautiful photography was done by Steve Legato. Site development by Steven Mangione Web Services. You’re sure to read more about Jumpstart in the coming months.
This summer marked the five-year anniversary of the Philadelphia Water Department’s nationally recognized “Green City, Clean Waters” program devoted to green infrastructure for stormwater management. The program, created in service of the city’s long-term sustainability plan, was branded by students at University of the Arts with the slogan, “Soak it up, Philly!”
Early in the initiative I provided interpretive planning and developed narratives for signage at various construction sites around the city. The goal was to advise residents about the greening efforts PWD was undertaking above ground—and the green engineering below ground. I integrated research from sites throughout northeast Philadelphia to develop content approaches and partnered with Philadelphia design firm Cloud Gehshan Associates. The signs were featured alongside a rain garden demonstration at 2014’s Philadelphia Flower Show.
In 2015 I also helped the Community Design Collaborative create a how-to guide for schools in Philadelphia that want to redo their schoolyards to make use of green design and maximize benefits for students, developmentally and physically.
This was the first in a series of guides for the Collaborative, and I look forward to more collaborations with them. (If you’re interested in all the good work they do, check out pages from the 125-page anniversary publication I created with them in 2011).
Rowan University has undergone a number of exciting changes in the past 18 months. First, it became New Jersey’s newest comprehensive public research university (joined only by Rutgers). Second, it merged with the School of Osteopathic Medicine in Stratford, NJ, to offer an even more broad-based educational program with expanded research and clinical opportunities for students.
To capture the university’s multifaceted talents and initiatives behind these changes, Rowan needed to devise a unique annual report—one that highlighted advances and successes from the previous year, but also branded the diverse research program in light of these developments. Rowan brought in ARC to devise an effective print strategy to integrate the growing South Jersey Technical Park, located on the edge of its Glassboro campus.
Alison conducted interviews with the Associate Provost for Research, who also directs the SJTP, and worked closely with the marketing staff to establish a structure for the publication, but also a voice. I conducted in-depth interviews with high-level administrators—including Dr. Kenneth Blank, who joined Rowan from Temple, in the new position of Vice President for Health Sciences—to integrate into the report the broad, innovative vision for the university in this area.
I was fortunate to have the chance to interview Bryn Mawr alumna Rehema Trimiew about her 2010 documentary Learning to Fly (watch it online) for her College Alumnae Bulletin. She spent four months in Zambia, filming a group of inspiring, determined young girls who are orphans and encouraging them to tell their stories and make films of their own, on cameras and computers Rehema had donated. Along the way she also learned an array of valuable lessons about the realities of on-the-ground filmmaking, as well as the resilience and creativity this work requires. She has since written a book about the process of making the film, which includes material from her MFA thesis.
I wish Rehema success with her future film projects, and look forward to following her promising career.
I spent much of 2011 helping the Community Design Collaborative to create a book in celebration of the organization’s 20th anniversary. The result is LEVERAGE: Strengthening Neighborhoods though Design, published in September and now available at the AIA Bookstore in Philly (1218 Arch St.) as well as through Distributed Art Publishers and Amazon.com.
LEVERAGE showcases 20 projects that reflect the strong work the Collaborative has done over the past two decades to help neighborhoods and organizations transform themselves in three dimensions, through planning and design services that are entirely pro bono. A series of essays offer national and local perspectives on the impact the organization has made through this good work.
The Pennsylvania Academy of the Fine Arts (PAFA) has been a client for several years, and whenever I’m there I swoon over the collection but also find myself envying the arts students who are talented and passionate enough to attend this prestigious art school.
I just finished work on a brochure about one of PAFA’s most unique programs: the Post Baccalaureate, which provides an intensive year with four dedicated faculty members. The testimonials speak to what it means to come to a place like PAFA to devote one’s self to the hard work of being doggedly creative. And also how transformative even one year can be. I, for one, was inspired.